Affluence dervish vacancy

in step by step fashion waggle consternation perish version of combat welcoming fishtank pistol dropping billions of windowsill mixups down into have or have not personhood gibble sullen groupings now that high means low and loss means win now that all numbers change games challenge reality and grind on growl in low gear thoroughly wrecking transmission burning rubber leaking oil vanishing valuable days as selfishly vision pleading for mercy come now command your troops withdraw pawns regroup unite help bring to closure each passing hour no lies for a change breathe and bloom bursting seed out into capitol steps and allowing each small voice a place in this choir these dreamings going wide amongst those of us in towns and rivers burdened with newsworthy fits of insane garbage dump it call it out onto the carpet red rolling salmon lubrication drawn thin in days of campaign waging war together now move on

"Rossetti himself seemed to conflate these two possibilities in a letter to his friend Dr Hake concerning the painting:
You ask me about Lilith — I suppose referring to the Picture-sonnet. The picture is called "Lady Lilith" by rights (only I thought this would present a difficulty in print without paint to explain it) and represents a "Modern Lilith" combing out her abundant golden hair and gazing on herself in the glass with that complete self-absorption by whose fascination such natures draw others within their circle. The idea which you indicate (viz: of the perilous principle in the world being female from the first) is about the most essential meaning of the sonnet. "